Where Emotions Flow?
This project began as an exploration of how Generation Z processes negative emotions, using the bathroom as a symbolic and narrative space. To me, the bathroom is more than just a place of routine—it is a deeply private environment where emotions are hidden, released, or quietly confronted. In these quiet, solitary moments—under running water, in fogged mirrors, or while simply sitting still—we often engage in the most honest conversations with ourselves. These subtle yet profound experiences became the emotional core of my work.
—Illustrations
Throughout the creative process, I crafted a series of hand-made, three-dimensional continuous illustrations that unfold across different bathroom scenes. This structure mirrors the ebb and flow of emotional states, encouraging viewers to physically interact with the work—turning, unfolding, and moving through each scene as if retracing their own emotional journeys. The tactile nature of the piece invites a slow, reflective engagement, making space for intimate contemplation.
—3D Book
To enhance this sense of interaction, I chose to present the work in the form of a 3D book. This format allowed me to transform static illustrations into an immersive, sculptural experience—one that unfolds layer by layer, just like the emotional layers we often hide beneath the surface. The process of building this book by hand, from sketching and cutting to assembling each scene, became a meditative act in itself. It was important to me that the viewer not only sees the narrative but moves through it—experiencing the rhythm of vulnerability in a way that is physical, emotional, and deeply personal.
Book Case
split chart
For me, this project is not only a visual experiment in mapping emotion through space, but also a gentle reflection on the theme of vulnerability. It is an attempt to give form to the unseen—to offer a quiet, immersive space where others might recognize parts of their own emotional experience, and perhaps find a moment of release or resonance along the way.